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La Cenerentola
La Cenerentola © V. Pontet / ONP
“Before the carnival is over, all Rome will love my Cinderella…” Thus spoke Rossini in 1817, in the aftermath of the disastrous opening night, firmly convinced that his pumpkin would be transformed into a sumptuous carriage. The future was to prove him right. The Enlightenment had lit its fires throughout Europe and La Cenerentola focused on the burning issues of the day, confronting social divisions to reveal the crinoline beneath the rags. Guillaume Gallienne, member of the Comédie-Française, stages his first opera.
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