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The Prophet
The Prophet © Jean-Pierre Loisil
The historic genre of the great French opera, with its great topics, its sumptuous sets, its extravagant outlay of effects and costumes, was born in the end of the 1820s. But if you should remember only one name, it is certainly Meyerbeer. With The Prophet, Meyerbeer draws his inspiration from Voltaire, finding in the adventures of a young charismatic monk a topical subject: people should beware of self-proclaimed liberators of mankind… Stefano Vizioli signs the stage direction of this monument of opera history supported on the musical part by Claus Peter Flor.
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