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Viva la Mamma!
Viva la Mamma! © B. Stofleth
New production. A coproduction with Grand Théâtre de Genève, Teatro Regio de Turin, Liceu de Barcelona. During a rehearsal, a capricious soprano and an inadequate tenor are interrupted by Mamma Agata, bursting in to demand a better role for her daughter, Luigia. A fight takes place, but bad news is soon to be learned: Musico has fled! It is Mamma Agata who will offer to take over the castrato's role... With a succession of catastrophic and comical situations, Donizetti describes, with an inch of irony and lots of tenderness, the behind-the-scenes life of the opera.
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