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Madina
© RAI COM
The young Madina, kamikaze not by choice, chooses not to kill, does not want to die. An act that shakes from torpor, triggers reactions, mixed feelings, hope for change. Ancestral drives, symbolic places, perverse dynamics of a violence that crushes itself, in which good and evil are opposed but continue to mix: a work of dance and theatre, where word, song, music and body coexist for a synthesis of the traditional and contemporary forms of the many genres of musical theater, which erases the boundaries between these different expressions.
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