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Cendrillon
“An utterly enchanting retelling of the Cinderella story […] From the very first note she sang, Joyce DiDonato enthralled: she was not just a mezzo in some opera, but a human being upon whose life seemed to hang the fate of the universe. … Stephanie Blythe offers a scene-stealing turn as the evil stepmother. The production is boldly stylized; elegant yet winking; straightforward but with an aura of extravagance. Musically about the finest thing the Met has done all season... You simply have to see it.” (New York Observer)
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