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Faust

  • Erwin Schrott (Méphistophélès) © ROH 2019 / Tristram Kenton

David McVicar's wonderfully theatrical production draws insightful parallels between Faust and Gounod, a composer torn between piety and worldly and romantic success. Sets and costumes by Charles Edwards and Brigitte Reiffenstuel pay tribute to the art and architecture of 1870s Paris, and include a colourful Cabaret d'Enfer, a run-down tenement block and re-creations of a box from the Paris Opéra and the organ loft of Notre-Dame. The variety of settings mirrors the variety in Gounod's score, highlights of which include Méphistophélès's demonic aria Le Veau D'Or, Marguerite's dazzling coloratura Jewel Song, the Act IV Soldiers' Chorus and Act V's impassioned trio as Marguerite struggles to achieve salvation.

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